Our Focus series shines the spotlight on the details: the extraordinary materials, spaces, and ideas that take great projects to the next level.
Sharon and Mike Matas’s backyard studio in Healdsburg, California, feels less like an office and more like a tree house. “The design allows the owners to work fully immersed in a forest of Douglas fir, madrone, and oak trees,” says architect Robert Swatt of Swatt Miers Architects.
Supported by a pair of extra-wide, cast-in-place concrete pillars, the net-zero, off-grid studio cantilevers over a steep wooded hillside. “Out of respect for the beauty of the site, one of our earliest goals was to keep the architecture light on the land,” Swatt says. “The structure is partially located above a level pad, and partially over a decline. The floor is lifted so it hovers above the ground, allowing the land and nature to remain untouched.”
Sharon, a graphic designer and illustrator, and Mike, an interface designer and entrepreneur, met at Apple in San Francisco before moving to a 10-acre off-grid home in wine country. They wanted a remote studio for conducting research and creating without distraction; a place that didn’t just offer views of nature, but that felt woven into it. “We envisioned a design studio where we could work [while being] deeply connected to the environment,” Mike says.
The 648-square-foot studio’s structure consists of concrete and glass walls capped by a western red cedar ceiling and floor. The glass blurs the distinction between the interior and the woodland, and the cedar references the trees, while supplying texture and warmth.
Sharon and Mike wanted the landscape surrounding the studio to feel native and wild—for it to blend, like the studio’s architecture, with the woodland. So, they commissioned Bernard Trainor and David LeRoy of Ground Studio Landscape Architecture to rewild the site.
Trainor and LeRoy devised a natural courtyard between the studio and the house with an edgeless pool sunken into a native meadow. They placed stone pavers in an imperfect path between the main house, the meadow, the pool, and the studio. “The landscape draws us outside and encourages movement throughout the day,” Sharon says.
Trainor and LeRoy carefully protected key existing trees—primarily oaks and madrones—and worked to restore the native plant communities that once grew on the site (before being removed by previous owners). “This included large areas of seasonally changing ferns and grasses, along with a supporting cast of understory shrubs,” Trainor says. LeRoy adds, “All remnants of the previous garden, which was comprised mostly of water-loving exotics, were removed.”
“The studio has an innate connection to the surrounding landscape from both inside and out,” Mike says. “With dappled light changing throughout the day, it’s a magical, energizing place for creating art and design.”